Stranger Things Volume 1 2x LP Red/Blue Vinyl Invada Records

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Category: Music > Records
Genre: Electronic
Release Date: 11/04/2016
Style: Electronica
Record Label: Invada
Artist: Michael Stein (SURVIVE)/Kyle Dixon (S U R V I V E)
UPC: 5051083113533
Format: Vinyl
Release Year: 2,016
Album Features
UPC: 5051083113533
Artist: Michael Stein (SURVIVE)/Kyle Dixon (S U R V I V E)
Format: Vinyl
Release Year: 2016
Record Label: Invada
Genre: Electronic, Electronica

Track Listing
1. Stranger Things
2. Kids
3. Nancy and Barb
4. This Isn't You
5. Lay-Z-Boy
6. Friendship
7. Eleven
8. A Kiss
9. Castle Byers
10. Hawkins
11. The Upside Down
12. After Sarah
13. One Blink for Yes
14. Photos in the Woods
15. Fresh Blood
16. Lamps
17. Hallucinations
18. Hanging the Lights
19. Biking to School
20. Are You Sure
21. Agents
22. Papa
23. Cops Are Good at Finding
24. No Weapons
25. Walking Through the Upside Down
26. She'll Kill You
27. Run Away
28. No Autopsy
29. Dispatch
30. Joyce and Lonnie Fighting
31. Lights Out
32. Hazmat Suits
33. Theoretically
34. You Can Talk to Me
35. What Else Is There to Do
36. Hawkins Lab

Details
Distributor: n/a
SPAR Code: n/a

Album Notes
It's no secret that Stranger Things has been receiving widespread acclaim. It also seems to have been a while since a series soundtrack has received such a grand if not equal amount of praise as its visual counterpart. Composers Kyle Dixon and Michael Stein (known for being members of synth outfit S U R V I V E) landed the job after the show's producers used some of their tracks as temp pieces and the duo responded with a series of musical vignettes designed for the show itself. Vol. 1, while seemingly standing as an aural love letter to artists such as John Carpenter, Jean-Michel Jarre, and Tangerine Dream, is also a unique piece of work that pays homage to its influences while wholeheartedly caring about the story it's soundtracking. Beginning with the show's theme, its thudding percussion is resident throughout, with arpeggiated synth chords sitting among bright bursts of synthesized bass and sinister choral effects, perfectly encapsulating the feel of '80s sci-fi and horror adventures. "Kids" is undoubtedly a highlight, if not for its beautiful chord progressions then certainly for its multitude of synth sounds, enveloping the imagination and sense of adventure held within the show's central protagonists. Something evident throughout Vol. 1 is its ability to define its characters with tracks made up of bracing melodies. Examples are "Eleven," a stripped-down piece with a glockenspiel-esque melody set against swirling effects, and "A Kiss," encapsulating youth with its bittersweet and romantic chord sequence alongside soft, pulsating synth pads, akin to the work of Giorgio Moroder and Equinoxe-era Jarre. Whereas these tracks are character- and theme-driven, the other side of this score is atmospheric. What is impressive here is that Dixon and Stein have not predictably evoked a sense of peril with gloomy drone pieces, but rather opted for the route of creating texture without overdoing it, managing to find the sound of danger within something that ultimately translates as ethereal and, if anything, more melancholy than menacing. It's with these pieces that you suddenly find yourself forgetting about the frequent nostalgia flagged up in discussions of Stranger Things, and you begin to experience a genuinely decent electronic album with atmosphere, as opposed to just a sci-fi soundtrack. That's not to say that Dixon and Stein don't know how to present the sound of horror; "The Upside Down" begins somewhat neutrally emotive and lethargic with some enticing ambience, the sort of sound you would expect on a track by Hammock -- until it quickly U-turns into some intimidating menace as a sharp synth stab plays repeatedly over chilling strings, building to a crescendo that's carried by some furious drum hits. "Castle Byers" is another highlight, made up of ever-rising strings and distant, reverberated pads which then transform into an almost celestial organ-like sound. While the show itself is clear about its influences, its soundtrack manages to do this too, while ultimately culminating as an in-depth and invigorating piece of atmospheric electronic music. ~ Rob Wacey

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